tags: Album, beautiful, dance, dance-pop, electro, Electro-pop, electronica, J-pop, MEG, pop
Tracklist:
01 DAYS
02 PRECIOUS
03 TELEPHONE
04 LIES
05 STAR
06 STAND
07 WHY
08 JOKER
09 SKIN
10 BEAUTIFUL
11 FREAK <yasutaka nakata remix> (DVD-Only)
BEAUTIFUL is the 6th studio album by Japanese electronica artist MEG, and 3rd album to be produced by Nakata Yasutaka (capsule). Released on May 27, 2009. It was released in a limited CD+DVD edition which included extras such as a photo book and postcards, and unique packaging, as well as a regular CD-only edition in jewel case. It had one previous single titled PRECIOUS, and three promotional songs, those being SKIN, BEAUTIFUL, and FREAK <yasutaka nakata remix>.
MEG is probably best known for being 3-in-one! A singer, fashion designer, and model. In her music career, you see how she applies this on her singles, albums & promotional videos. Most of them capture the fashion & modeling concepts. Her
5th studio album, STEP, is a strong example of this. BEAUTIFUL is a big improvement from her previous albums, and I’ll tell you why.
The album starts with the nearly-2-minute intro DAYS, most people absolutely hate this synthesized mess. I on the other hand, thought it was absolutely genius. Sure, it makes your ears bleed a bit. But I find that appealing, and I think it makes a excellent start to the album. Right after DAYS, the first and only single from the albums shows up, PRECIOUS! PRECIOUS is a very happy-feel-good-bubble-gum-electro-pop song (if that makes any sense), and if you’ve seen the promotional video, you’ll see how innocent it really is. Honestly when the single first came out, I had mixed feelings about the song. I didn’t really listen to it much and didn’t really like it. But then, it grew on me, by a lot. I ended up loving this great and cute song.
After the feel good feeling that PRECIOUS leaves you, it continues with TELEPHONE. MEG in this album decided to practice her English, which the vast majority of songs in this album are mostly, or completely in English. TELEPHONE is one that mixes both English and Japanese. Of course, it’s hard to understand MEG’s English, and I didn’t completely get what she was saying until I got my copy and read the lyrics. But the English lyrics themselves are decent. TELEPHONE is a little bit more heavy than PRECIOUS, but still has the innocence and cuteness that PRECIOUS has. Now let’s leave the cuteness and innocence on the side for a while, because LIES needs room. I am absolutely a huge fan of MEG’s hardcore electronica songs, and I’m really glad this album carried more of these. LIES makes a perfect example of this. The lyrics of LIES makes you think she’s talking about a bad boy she has fallen for, at least that’s what I get. Definitely one of the best songs in the album.
To take a break of how hardcore LIES was, her only electro-pop ballad in this album comes up, titled STAR. Honestly this is the weakest track in the album. But it’s still very decent, and her strongest electro-pop ballad to date. Which means it isn’t so bad, but still makes me want to skip it halfway through it. After the downbeat sound that STAR had, STAND comes up. Truly a stand-out track from the album, as the song has a very latin-influence feel. And it’s very different from what we usually hear from her Nakata produced material. I definitely did not expect a song like this on the album, and it came out as a total surprise. But in the end, it’s a very enjoyable track.
Hardcore MEG is back! WHY is absolutely my top favorite song on the album. It’s perfect all around. Lyrics, synths, vocals, just plain perfect. It would’ve made a perfect promotional track. The song has this city-at-night feel. And makes a great club song. JOKER comes back, if I have to compare this song to another in the album, I’d probably choose STAND. JOKER like STAND, has a latin-influence feel, but not as much as STAND, it’s not that noticeable but it’s definitely there. Not one of my favorite’s, but still a very enjoyable song. Once again, MEG turns on the hardcore switch to the next track, titled SKIN, also being a promotional song for the album. The lyrics are quite short and repetitive, and half of the song is mainly instrumental. But this song is just plain amazing. Sure there are other songs I prefer, but it’s definetly in my top five favorites from the album.
Finally the last track of the album comes up, which is the title track, and another promotional song for the album. 
BEAUTIFUL! I was expecting more of this song, since it’s the title track and all. But I ended up being disappointed. It’s one of the weakest songs of the album, it isn’t bad but. Her vocals don’t go very good on this song. It has it’s ups and downs. But overall, not very memorable. This is where the album ends, but in the CD+DVD edition of the album, it has the promotional video for FREAK <yasutaka nakata remix>, which for unknown reasons it was left out the album (most probably because it wasn’t originally produced by Nakata Yasutaka.) But many people, like myself, decided to rip the song out of the video, and include it in the album on their mp3 players. This remix is a completely different version to the original FREAK, as most of the time remixes usually keep original production and mix it and add their own synths and whatnot. But this remix has a completely different production. The only thing that Nakata kept was MEG’s vocals, and they even sound different. But nonetheless this remix is absolutely great! It should have been added as a bonus track on the album. I hope this song in the future gets an official release, maybe on a remix album.
Overall I think this is her best album to date! MEG is definitely not for everyone, it’s one of those artists that you either LOVE or HATE, no in-between feelings. But it surely shows improvement to her previews albums, and it proves us that MEG will just get better and better with future releases. Being her most anticipated album, it sure has left us all MEG fans truly impressed.
Favorite Tracks:
07 WHY
04 LIES
09 SKIN
03 TELEPHONE
01 DAYS
Album Score:
A+
Tracklist:
of 2009. The album starts with New In Town, also the album’s first single. I actually discovered Little Boots with New In Town, as I saw the music video playing on television. It was instant love, and I immediately had to find out who she was. New In Town is a fun upbeat track, whose lyrics just make you want to get up and have fun. It’s a pretty strong track, and makes a great debut single. 
usually hear strong electro-pop songs like this in the pop scene, and as her second single this album will get more and more sales. Remedy is one of those songs that you will never get tired with, and will constantly have it on repeat. Meddle is nice, but I find it a bit repetitive, and it gets boring after a while, which makes me wants to skip it to the next track. It isn’t a bad song, but not a memorable one either. Ghost, starts with a creepy-like intro, and while the songs keeps going in you see that it’s main theme is very “mystery” like. Hence the title. Like Meddle I find it a bit repetitive, and after a while I get bored with it too. But hey, I think it makes a great Halloween Party track!
Catch22, bonus track found on the Japanese edition of the album, is another upbeat song. I actually really like this song, they should have kept it as an original album track than a Japanese bonus. The synths are great, and the chorus is even greater. Very catchy song, and would make a great single as well. New in Town (No One Is Safe – Al Kapranos Remix), another Japanese bonus track, is a experimental mess. I don’t like this remix at all, though it has some tolerable parts. But hey it’s just a bonus. I think they could have worked better with the remix, but at the end, I don’t really care for it. Stuck On Repeat (Acoustic) finishes off the Japanese edition of the album very nice piano acoustic take on the original.
Tracklist:
electro-rock, and she totally rocked it indeed! While her English is not very understandable, it’s still a very strong track. Though on this song, her voice is vocoded to the extreme, it still makes a pretty awesome song. Crazy Cat (The Shoes Remix) is a major improvement than THE LOWBROWS remix of Cosmic Pink shown on WONDER EP, not an amazing or outstanding remix but still it’s very enjoyable. The Shoes did a pretty good job with it. But at the end, it isn’t a very memorable remix either. Now what I am really surprised about is with Alice (RimmiX), last “RimmiX” on her previous EP was a complete mess and on this one it shows to be more organized. Alice (RimmiX) is a more downbeat version of the original Alice, or at least at first it seems so. After three minutes into it the remix turns a different direction, a more upbeat direction. What I think of these “RimmiXes” is that Jetbikini and N.A.i.D are experimenting with their sounds. On Alice (RimmiX) they did a hell of a job, I like it almost as much as the original. I just hope they don’t commit the same mistake they did with WONDER (RimmiX).
Tracklist:
LOWBROWS remixes, and their original work too. But this remix of theirs seemed a little bit rushed. AruとLito starts with a very upbeat and pumped up intro. I absolutely adore the intro, but when the songs keeps going on and on, it gets a little repetitive. The 8bit sounds seem a little out of place, I don’t mind them, but I think the sound would’ve done better without them. But at the end, it’s still a very enjoyable song. But I don’t think it tops WONDER or Joe le taxi. WONDER (RimmiX), remix of WONDER, it seems that it must be a self-remix of N.A.i.D & Jetbikini, since they were the original producers of the song. Honestly this remix isn’t that great, I don’t think the vocals at first blend in with the remixed synths. The remix is kind of a mess if you ask me, it’s enjoyable in some points but at the end I still skip it. Either they should’ve worked better with this remix, or scrap it out all together. Not a very memorable remix.
